about simplesoundscapes

iteration 3 (june 2018 -)

I launched simplesoundscapes in 2016 in order to explore the relation between field recording/soundscapes and mindfulness. I produced 40, 10-minute audio ‘narrative’ episodes in the 1st iteration over 301 days (December 3, 2016 to September 2, 2017) and 80, 3-minute video and audio ‘without narrative’ episodes in the 2nd iteration over 221 days (September 7, 2017 to April 16, 2018). I concluded the 2nd iteration with ‘simplesoundscapes afield (spring 2018)’, a 57-minute compilation for http://www.frameworkradio.net/. I also created ‘9 simplesoundscapes videos’, a 27-minute selection of the best videos from iteration 2.

The 3rd iteration of simplesoundscapeswill be an open slate with no restrictions on length, content, format or style. The description will be ‘soundscape composition’. I will follow my intuition without any pre-conceived ideas or intentions.

To receive announcements about new episodes or for news follow @ssoundscapes on Twitter. Note: I will no longer post announcements on Facebook.

iteration 2 (September 7, 2017 to April 16, 2018)

During year 1 of simplesoundscapes (December 3 2016 – September 2, 2017), I noticed that the project was shifting away from a narrative format (stories about soundscapes) towards mindfulness exercises (contextual and meditative listening). On September 9, 2017, I launched a 2nd iteration of simplesoundscapes with a shorter and more accessible format: 3-minute audio and video recordings. I removed any narration and description beyond a one-word title and a short poem. I also removed all the previous podcasts, except for ‘e40 best of simplesoundscapes year 1′ (which brings together my favorite moments from the first 40 podcast).


The still-image video and audio recordings are presented ‘as is’ (creative work takes place during the recording process) and are published, when they are ready, one at a time or in thematic groupings. The role of the still image video is to enhance the listener’s appreciation and understanding of the context of the soundscape recording.  It is an audio recording accompanied by moving images. Audio recordings are kept SoundCloud and the videos are kept in Vimeo, accompanied by a photograph.


I select soundscapes that have the capacity to awaken the spirit. My production process is:

  • if a soundscape speaks to me, I record it
  • if the recording remains meaningful after repeated listening, I share it
  • if a recording loses its vitality, I remove it

I allow my intuition and mindfulness practice to guide me in the selection and production process.

I created this 22 minute video to explain the making of simplesoundscapes in 2017:

Community of practice

In 1998, I wrote an article on Electroacoustic Soundscape Composition for Musicworks Magazine that talked about sharawadji effect, which French sound theorists Jean-Francois Augoyard and Henry Torgue describe as the sensation of plenitude that is created by the contemplation of complex soundscapes whose beauty is unexplainable and that can carry the listener elsewhere when the spirit combines availability, attention and perspicacity. This theory informs my work.I am also influenced by the work of Canadian composer R. Murray Schafer’s and his idea of soundscapes as ongoing musical compositions.

I follow with great interest of those doing similar soundscape and mindfulness work and encourage exchange. I recommend the artistic work and social contributions of the following artists and organizations:

 How to access the work?

More information

Thanks to

Thanks also to all followers and listeners/viewers.

Claude Schryer